Tag: voices-of-the-industry

  • Blu-ray is an unstoppable train

    Europeans told to learn from US retailers in order to convert consumers to Blu-ray and drive it into the mainstream

    Why upgrade to Blu-ray when the old DVD player still manages to churn out a pretty good picture?

    That appears to be a question many people have been asking themselves, especially when prices for Blu-ray players and discs remain high.

    Not for much longer, however, according to various speakers at the Blu-ray Disc Association’s (BDA) press shindig at the IFA electronics trade show in Berlin.

    They were keen to dispel any concerns that the format will never quite make it into the mainstream – though it was conceded that more work is necessary before Blu-ray finally puts DVD to the sword.

    Jim Bottoms, managing director of Futuresource Consulting, told the IFA conference that DVD’s market penetration had reached a point in the 1990s when it could be described as an “unstoppable train”.

    He said that was now the case for Blu-ray in the US and within 6-12 months it would also be true for Europe.
    “At this stage it’s too early to make that call for Europe but we are only six months away from it,” he said.

    “In the US, that call can be made now. It will be pretty much impossible to stop Blu-ray becoming a mass market product in the US.”

    He added: “We are moving forward to a situation where Blu-ray really is growing with its own momentum to become a train that is unstoppable.”

    Work remains to be done in Europe

    Things aren’t hurtling along quite so forcefully in Europe, though, where BD sales will reach 12 million discs this year, according to Bottom.

    This only accounts for around 2 per cent of total video sales, although he expects the share to climb to 5-6 per cent next year – and keep rising swiftly.

    However, by 2012 DVD will still lead in the UK, 56 per cent to 44 per cent. BD will do better in Germany – it’ll take 46 per cent of the market – but less well in Spain and Italy – 43 per cent and 39 per cent, respectively.

    To encourage the market along, Bottoms said Europe had to learn from the US, particularly from retailers there who have got behind Blu-ray by promoting it in stores and demonstrating the format’s superior quality.

    He said there was evidence that some consumers had been “turned off” HD based on only viewing broadcast HD programmes.

    They hadn’t found the quality sufficiently superior to judge it worthwhile paying to upgrade from their existing DVD players.

    Demonstrating Blu-ray at point of sales areas had been shown to be very effective in persuading people about the format’s quality.

    Initiatives such as improved retail support would ultimately help close what Bottom described as the HD content gap in Europe.

    He said this situation had arisen because currently around a third of households had HD screens but only 2 per cent could get high def content.

    This was compared to the US, where 50-60 per cent of households had HD screens and around a third could access high def content.

    Frank Simonis, chairman of the Blu-ray Disc Association’s European Promotions committee, not surprisingly agreed that Blu-ray had reached the point of going mass market.

    He said the European market would start to accelerate in the autumn, adding: “You will see a lot of good things this fall. European consumers are hungry for high def.”

    Simonis defended the lag in the release of European movies compared to the US and the higher price of European Blu-ray discs – a huge sore point with many consumers.

    He said Europe, despite being a similar sized market to the US, had 15 different languages and individual markets in each country – making it a very different proposition to the US.

    “We have to work on an individual country basis for each launch plan,” he said. “So it’s one year behind the US. It’s not something we like but something that’s due to the nature of the European continent.

    “So we are not doing that badly – in fact, if you put Europe on the same timeline as the US, Europe is faster.”

    How would you describe the Blu-ray Express – hurtling unstoppably or trundling along? Please let us know your comments.

  • Flat-screen TVs highlight undimmed consumer confidence


    The IFA consumer and trade fair got underway today with the opening focus very much on flat screen TVs

    Launching the event with a decidedly European spin – well it is in Berlin – much was made of strong consumer confidence despite reports to the contrary. 

    Hans-Joachim Kamp, chairman of ZVEI, the German electrical and electronic manufacturers´ association, said healthy growth in flat-screen TV sales globally suggested consumer restraint was over-stated. 

    He added that, with the exception of the UK – where a devalued pound and the failure to qualify for Europe´s major football championship had had a major impact – European sales were strong. 

    Four European countries, including Germany, had enjoyed double-digit growth with average set prices of EURO 690. 

    “The major growth driver in Europe is flat-screen TVs,” he said. “I am more optimistic than others and more optimistic than the figures suggest.” 

    Among the highlights coming up over the next few days are Sony and Samsung demonstrating OLED TVs and product announcements from major manufacturers such as Toshiba, Panasonic and Sharp.

  • Millions will wear video glasses for mobile viewing

    Screen size limitations on smartphones and UMPCs hamper users’ ability to fully enjoy mobile video, TV or the internet, according to Kip Kokinakis, president and CEO of Myvu.


    smartphone.biz-news.com spoke to him about Myvu’s Crystal video glasses and his prediction that millions of people will soon be wearing them for mobile viewing.

    Why watch a movie, play a video game or browse the internet on a tiny screen when you could be doing so on a 40” one?

    The answer would invariably be because there isn’t any real alternative for anyone on the move with a smartphone, UMPC or MID.

    Kip Kokinakis begs to differ. But since he is president and CEO of a company that designs and manufactures video eyewear for mobile entertainment, you would expect him to.

    The Westwood, Massachusetts-based firm’s latest offering is the Myvu Crystal, video glasses that connect to any media device with video out functionality – including the iPhone, Nokia N Series and most Samsung models.

    The premium model gives users something akin to a DVD-quality experience on a 40” screen, with built in ear-buds and the ability to “see around” the floating image when on the go.

    Spotting someone in an airport departure lounge watching a movie on a pair of Crystals may still seem a mite outlandish – but Kokinakis doesn’t believe it will be for long.

    “Within three years millions of people will be using these things,” he said. “All sorts of information and data can be translated to the glasses. It’s becoming natural to be out and about with them on.”

    What will influence uptake?

    Two factors that will undoubtedly emphasis the need for improved screen quality and size are the take-up of mobile TV and web browsing.

    This is already expanding rapidly in many markets around the world – just recently T-Mobile in the UK announced it was upgrading the download capability of its HSDPA 3G network to 7.2Mbps – and the pace of growth is set to continue.

    So too will the smartphone market, with research from ABI Research indicating that handset manufacturers will continue to push many high-end features further down their product lines, so increasing usage of mobile video, TV and the internet.

    And while Kokinakis admits that “wonderful things” are being done with smartphones and UMPCs in terms of computing power, there is only so much you can do with a small screen.

    “One thing you can’t do with a 4” screen is replicate a 50” screen,” he said. “You can’t keep evolving the screen on a hand-held device.
    “Video glasses are really the most cost effective way of getting a big screen on a small device.”

    Viewing technology will keep pace with content developments

    While the Crystal is described as providing the highest pixel density and sharpest resolution for any videowear of its size, Kokinakis insists the product is “a long way from being done”.

    He believes the technology is at a “tipping point” and over the coming year we can expect to see developments offering more pixels, near HD quality and a larger screen size.

    “By the end of next year we will have products so far beyond anything we thought of when we first demonstrated video glasses,” he said. “Everyone will be excited.”

    Kokinakis said that as optical quality improves and the number of pixels rises, the eyewear would become thinner and lighter while being able to display images as if on a 70” screen.

    While competing technologies, such as flexible displays, which can be folded or rolled, hold great potential, he doesn’t believe they will usurp video glasses.

    Speaking from Singapore, a center of excellence for material science and where he spends around 70 per cent of his time, he said: “The need for an optical system is there. Others are coming….but nothing replaces plastic at a price.”

    Another viable opportunity for video glasses is augmented reality, which Kokinakis believes will be feasible within three or four years.

    Who will be buying video glasses?

    While video eyegear might appear to only have appeal for those enduring lengthy commutes or frequent long-haul flights – especially in the US, Kokinakis believes the market and appeal is much broader.

    He points especially to the European and Asian markets, which have demographics more suited to video glasses because of wider use of mass transit and the fact people generally live in smaller living spaces.

    “We see a day when it’s not just about watching a movie, but people are watching TV while others are web browsing – all on a 50” screen,” he said

    Not so long ago people wearing headphones in public were scoffed at – imagine!
    Do you see video eyewear such as Crystal glasses becoming the norm for mobile viewing? We would be interested to hear your comments.

  • Discover the secrets of keeping ahead of HDTV competitors

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    Amidst this shifting landscape how can you gain a unique standing and maintain competitive advantage?

    Anyone curious to find the answers to the above would do well to get along to DisplaySearch’s HDTV 2008 Conference Confronting the New Reality (September 15-17).

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    Held at the Renaissance Hollywood Hotel and Spa in Hollywood, California, the two-day event features industry-leading speakers, exclusive exhibits, world-class analysis and unforgettable keynotes.

    As well as focussing on the challenges faced in the quickly transitioning HDTV industry, there will be sessions covering:

    * How can excitement and margin be realized when HDTVs have progressed from novelty to commodity?
    * How should TV set makers and retailers respond to proliferation of digital video beyond the traditional broadcast model?
    * How can the TV set makers deliver greater value and differentiation beyond the box?
    * In an age of infinite choices, how can TV stakeholders maintain an effective and engaging entertainment experience?
    * What will it take to deliver on the promise of the full HD entertainment experience?


    The event offers an exciting opportunity to explore how you can prosper in the reality of the new HDTV marketplace along with peers, analysts and the biggest names in the industry.

  • Kodak offers HDTV answer to photos "lost" in the PC

    Kodak has long been known for producing imaging and photographic material.
    hdtv.biz-news.com asked Matthew Yarrow, Kodak country business manager for the UK and Ireland, to explain the rationale behind his company’s decision to move into new territory with the launch of a set-top box.


    The Kodak Theatre HD Player, due for release in September, is a Wi-Fi equipped TV set-top box that can stream music, videos, and photos from any computer that is connected to the same network to your HDTV. It offers 720p playback, HDMI and component output ports, and a USB port.

    With digital photos increasingly being stored on computers, the days of flicking through family photo albums are a thing of the past for many people.

    But that doesn’t mean the desire to look through holiday snaps with family and friends has been lost.
    Matthew Yarrow said that was a primary factor in Kodak’s move into the set-top box market.

    “Consumers describe to us, with strong emotion, that with all the advantages of digital photography, they’ve lost their pictures in their computers,” he said.

    “In film days, families would gather together on the couch to pass around albums and envelopes of prints. They would stay up late sharing memories, telling their stories, with laughter and tears. But with digital photography, sharing pictures has become ‘computer work’.

    “They want their pictures and memories back in their life. And what better way to gather together the family, and release the emotions of their pictures and stories than on the most beautiful screen in the house.”

    Kodak also believes HDTVs offer the potential for interactive “features” far beyond innovative technical aspects now being offered.

    “Our consumer, the proactive photo sharer, is not only ready for the HDTV to do more, they want it to be the hub of the family,” said Yarrow. “A sort of the campfire around which the family gathers to relive key moments and memories, to enjoy their favorite photos, videos, and slideshows.

    “To even be able to make the HDTV the gather round point for new pictures and to be able to share these images with family and friends right from the couch.”

    But Yarrow said people wanted more than just the ability to view pictures on the big screen: “They want to interact with their pictures too – send the favourites to family when the moment is special, create special slideshows, add their own music.
    The Kodak Theatre is designed with these primary needs in mind.”

    What consumers are demanding, according to Yarrow, are solutions that free their trapped images from PCs, memory cards and digital cameras.

    But the proliferation of HDTV technology has also created a demand for HD content beyond standard television programming.

    “Our consumer research shows that consumers want to relive the most cherished moments of their lives on their HDTV,” said Yarrow.

    “The Player meets consumer desires to do more with their pictures, music and videos and engage more easily and more interactively with their personal content, as well as content from family and friends from around the globe.”

    Yarrow said the US$300 Theatre HD Player – a competitor of the likes of PlayStation 3 and AppleTV – was most likely to appeal to what he described as “active photo sharers and technology optimists”.
    He said this group would have some of the following characteristics –
    * Highest median picture saving of all segments, 266 per year
    * Primary person in the household for organising, printing, and sharing pictures
    * Wish to keep family and friends connected
    * Wish the sharing, organising and storing of pictures to be easy and pictures accessible
    * Enjoy having pictures displayed at home or work
    * Never get tired of looking at photographs
    * More likely than general population to visit online sites
    * 98 per cent email photos to others

  • Ad targetting to US teens expected to boom

    Smartphone ownership among American teens will mushroom beyond current 20 per cent – presenting massive opportunities for ad targetting

    Research shows that American teenagers have at their disposal an estimated US$200 billion annually in discretionary spending.
    The marketing agency Fuse recently interviewed execs from companies like Sony, MTV Networks, Yahoo and Nokia to get their take on what the future of technology will look like for the teen market.

    Among the conclusions was that the mobile phone in the US will supplant the PC in terms of popularity for teenagers.
    While currently only 20 per cent of US youngsters own a smartphone, both mobile and content companies are certain this rate will rise dramatically.

    Bill Carter, a partner at Fuse, presenting his findings at this year’s YPulse Mashup convention in San Fransisco, said smartphones like the iPhone are just the beginning for multi-functional devices.
    “Uses of mobile devices will expand to include all kinds of bar code applications and prepaid debit card payment methods,” he said.

    This prediction is a large part of the reason why geographic ad targeting to teens is expected to increase dramatically in coming years.

    Currently, providers analyse about 4 billion Protocol addresses to provide what is called street-level targeting to consumers.

    Companies can then reach teens directly via their phone with ads and info on nearby places to go like nightspots.

    “When you combine this new technology with teens giving their permission to market to them, the growth could be exponential,” said Carter.

    He predicts that teens will end up buying subscription based music services, a lot like the cable TV model.

    Carter also feels that other tech platforms will actually save not kill TV networks.
    The analog-to-digital conversion will allow teens to watch live TV on their smartphones.
    This will then in turn help the TV networks to target their programming to specific audiences, which will maintain the cost of advertising.
    What it boils down to is “the device is inconsequential compared to the content,” he said.

  • Younger viewers ditching TV for mobile media

    Smartphone.biz-news.com asked Christian Harris, CEO of mobile video provider Gorillabox, for his views on the mobile TV market

    More and more younger viewers are eschewing traditional TV schedules and embracing new technology – mobile TV, DVRs, online streaming and downloading – to set their own viewing schedules.

    So much so, that research just released reveals the average age of those watching TV in the US has tipped 50 for the first time.
    The study of the big five US broadcast networks by research firm Magna Global shows the average viewer no longer falls within the 18-49 demographic so sought after by advertisers.
    While average viewing age figures for the UK are not available, research by entertainment analysts Attentional shows viewing time among those aged 16-34 has been declining faster than other age groups.

    This is a situation of which Christian Harris, CEO of mobile video provider Gorillabox, is fully aware.
    He believes that mobile viewing will rapidly become a prime means of consuming content for the 14-28 market.
    “Significant consumer segments don’t consume media on radio or TV any more,” he said. “It is either web or mobile.
    “For this audience, mobile is a key channel for content. To serve the mobile channel for this audience, mobile broadcasting is a primary capability.
    “The question isn’t ‘why should you?’ – it’s ‘why wouldn’t you?’”

    Last month, Gorillabox partnered with the AIDS charity 46664 and mobile operator 3 to provide mobile TV content from Nelson Mandela’s birthday concert.
    Video of artists such as Amy Winehouse, Razorlight, Annie Lennox and Queen was streamed live over mobile networks across the UK from London’s Hyde Park.
    Gorillabox was responsible for the deployment of content on the streaming platform, billing integration and customer care, while 46664 marketed the service and worked with Gorillabox on making the live video content available from the concert.

    Harris said the mobile portal improved accessibility to music videos from some of the world’s biggest musicians and celebrities.
    “Large-scale events need to be fully supported by multi-channel content distribution,” he said.
    “This used to be radio and TV and more recently web. However, this now also includes mobile.”
    A recent survey by mobile TV and video solutions provider QuickPlay Media revealed significant barriers hindering users from consuming TV and video content on their mobile phones – factors included lack of awareness of the services that are on offer and the perceived high costs involved.
    But the survey showed that demand for mobile TV existed with 65 per cent of those questioned, who said they would be willing to watch an advertisement if it meant that the content was free or discounted.

    The 3G iPhone could have a significant impact on the mobile TV market as research shows that many iPhone owners have accessed TV and video content with greater frequency than subscribers using other types of mobile handsets.
    With added 3G capability, the iPhone brings with it some attractive attributes to the mobile TV market, including video-friendly specifications, access to a rapidly increasing range of Apple TV and video content and the ability to support multiple methods of delivering TV and video (sideloading, indoor WLAN and high-speed 3G cellular data access).

    Harris said Gorillabox runs its own delivery technology called the G-box platform .
    Developed in-house, he said the platform could handle any content or media format over GPRS or 3G networks to any mobile phone in the European Union and the US.
    He said Gorillabox was able to deliver live and on-demand media from any location in the world via its UK data-centre to mobile devices.
    “We also enable the discovery of the services via mobile search,” he added.
    “Our objective is to make the event as visible and reachable as possible and, where appropriate, provide advertising and billing.”
    There’s no doubt mobile TV content is going to become increasingly accessible.
    Christian Harris asked “why wouldn’t you watch mobile content?” – we would be really interested to hear your views?

  • Mobile operators say regulatory burden is jeopardising European mobile broadband services





    The GSM Association is claiming that Europe’s mobile industry is cutting back spending on new networks and services as a growing regulatory burden from the European Union puts profitability under pressure.
    The European Commission, however, has asserted that mobile operators are making excessive profits and has imposed retail price caps on the industry.
    This is refuted by the GSMA – using data from management consultancy AT Kearney – which argues that the European mobile industry’s return on capital employed (ROCE) was just 9 per cent in 2006 compared with more than 20 per cent in software, pharmaceuticals and several other sectors.

    In its response to the European Commission’s public consultation on the voice roaming regulation, the GSMA is warning that European mobile operators, on average, are only just covering their weighted cost of capital and some of them are making an economic loss.
    AT Kearney figures estimate that ROCE for the mobile industry in 2007 was equal to or slightly lower than the 2006 figure.
    The GSMA is also saying that the European Commission’s belief that regulated price caps on voice roaming calls introduced last summer would lead to a major increase in usage – and so offset possible revenue losses of operators – has not materialised.
    AT Kearney calculates that voice roaming call volumes have increased by only 11 per cent year-on-year to July 2008 while operators’ voice roaming revenues have decreased by 26 per cent.
    According to the GSMA, heavy capital investment is needed to ensure the widespread availability of advanced 3G networks, which enable mobile users to access the Internet and other multimedia services at broadband speeds.
    The EU mobile industry’s capital spending has slipped from 13 per cent of revenue in 2005 to 12 per cent in 2006 to 11 per cent in 2007.
    The operator’s body says that while the mobile industry’s technology roadmap envisages further dramatic improvements in network performance and capacity, the speed of deployment of new networks may be constrained by the mobile industry’s relatively low level of profitability.
    Tom Phillips, chief government and regulatory affairs officer of the GSMA, said Europe’s mobile industry was in the midst of another major investment cycle to deploy new services, such as mobile broadband, video downloads, mobile television and mobile email.
    “However, it is clear that the high level of investment required to provide these services across Europe won’t happen if regulators continue to distort the market by setting prices,” he said.
    Following recent announcements by individual operators suggesting average prices will continue to fall, the GSMA says there is no need for the European Commission to also introduce price caps on these services.

  • Could Angelina Jolie do for Blu-ray what Keanu Reeves did for DVD?


    The idea that one movie could transform a technology from niche to mainstream may seem extreme.
    Yet that is what Craig Kornblau, president of Universal Studios home entertainment, is suggesting will be the effect of the yet-to-be released new thriller starring Angelina Jolie.
    The studio executive believes the film’s highly visual nature could be the trigger to mass sales of Blu-ray devices.
    James McAvoy plays an average guy who’s recruited by Jolie to become a contract assassin.
    Kornblau told Variety Magazine he thought Wanted, which is released in US cinemas on Friday, could do for HD disks what The Matrix did for the standard-def DVD.
    The Matrix, a sci-fi action hit starring Reeves, was an immediate success on DVD, particularly in the sell-through category.
    Previously, most DVD owners were satisfied with renting movies.
    “What The Matrix did for DVD, this could do for Blu-ray,” said Kornblau.
    Variety reported that an audience at an LA Film Festival screening of Wanted applauded the action scenes half-a-dozen times, a reaction unseen since the premiere of The Matrix.
    Kornblau, who was attending the festival, did not say when the movie would be available on Blu-ray.
    But the studio could be preparing to coincide the release with the much speculated introduction of Blu-ray players priced at under US $200.

  • Free high definition content is the future as viewers grow accustomed to the new "normal" television


    The head of the UK’s Freesat digital service believes viewers will begin to resent paying for HDTV as increasing numbers regard it as the new “standard”.
    Emma Scott, managing director of Freesat, which launched in May, said there were already over 10m HD ready TV sets in UK homes.
    But at the time of Freesat’s launch only around 5 per cent of those HD ready homes were actually watching television programmes in high definition – and by subscription.
    Addressing the Broadcast Digital Channels Conference 2008 earlier this month, she said consumers and retailers wanted HD content– but it was the broadcasters that had taken a while to catch up.
    “Free HD is a long term opportunity for broadcasters and for Freesat,” she said. “HD is not a gimmick, it’s a new standard for television and one which every broadcaster I’ve met would love to deliver its content in.
    “I do not believe that HD will remain a long term income driver for pay platform operators – consumers will resent paying for something they see as the ‘new normal’ television if it isn’t premium sport and movies, which they already ‘expect’ to pay for.”
    Freesat offers subscription-free high definition channels and services once viewers have made a one-off payment for equipment.
    It expects to have up to 200 channels by the end of this year, including two high definition services – BBC HD and ITV HD – both available for free.
    Scott said that only with the launch of Freesat, a joint venture between the BBC and ITV, was HDTV really free for anyone who wanted it.
    She pointed to the rise in popularity of HD in the US, saying that the 35 per cent of homes now watching in HD were increasingly loyal to the networks they watched – and sought out HD programming, even if they wouldn’t normally watch the genre.
    “And with 1m Sony Playstation3s and an increasing number of Blu-ray players sold – both of which allow you to watch HD content via an HD ready TV – there are an increasing number of homes who will never want to switch back to just normal, ‘standard’ definition content.”
    Citing other popular examples where consumers get free access to products and services – such as Gmail, YouTube and Skype – she said Freesat hoped to be as successful in broadcasting.
    “So, in a world where there is widespread availability of digital technology, consumers increasingly expect their media for free,” she said.
    “But just being free isn’t enough for Freesat. Freesat will be the best of free, and is only going to get bigger and better.”